Image creditDetail Photo Youssef Nabil (1972) Self-portrait with Roots, Los Angeles, 2008 © Youssef Nabil Courtesy Youssef Nabil

At a glance

60–90 minutes

Hand-coloured photographs, cinema and self-portraiture turn memory into something dreamlike, suspended between Egypt, desire and the imagined past.

Why go

This is the first time a contemporary artist has taken over the Musée d’Orsay’s Orientalist galleries. Nabil places his own photographs and films beside works that influenced him, creating a personal bridge between contemporary image-making, Symbolism and 19th-century Orientalism.

You'll see

Hand-coloured photography · Self-portraits · Cinema · Orientalism · Symbolism · Celebrity portraits · Film · Memory and exile

Pace of visit

The exhibition is not huge, but it includes photography, historical comparisons and two films, so it rewards a slower visit.

Don't miss

The Dream (2021), Nabil’s self-portrait inspired by Puvis de Chavannes’ Le Rêve, and the final film section with I Saved My Belly Dancer and The Room.

Artlovers Tip

Look back and forth between Nabil’s photographs and the historical works around them. The exhibition becomes much richer when you see how he borrows, questions and rewrites older images of the Orient.

Inside the exhibition

Meet the artist

Key Movements

Contemporary Art

Medium

Film PhotographyPhotography

Description

Youssef Nabil. De rêver encore is on view at the Musée d’Orsay in Paris, France, from 19 May to 13 September 2026. Nabil is the first contemporary artist invited to occupy the museum’s Orientalist galleries, where his photographs and films are shown in relation to 19th-century works and Symbolist imagery that have shaped his visual language for more than three decades.

Youssef Nabil (b. 1972, Cairo) is a Franco-Egyptian photographer and filmmaker known for manually colouring black-and-white silver-gelatin photographs. His work draws on Egyptian cinema, portrait photography, self-representation, exile, desire and memory, creating images that feel simultaneously contemporary and from another era.

Worth travelling for?

A particularly good contemporary intervention at the Musée d’Orsay because the dialogue with the collection is not decorative: Nabil uses the museum’s own history to rethink memory, Orientalism and the way images construct identity.

Exhibition

Youssef Nabil — De rêver encore

Hours & rating from Google

Paris, France

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