Image creditMarianne Wex. Panel from Let’s Take Back Our Space: ‘Female’ and ‘Male’ Body Language as a Result of Patriarchal Structures. 1977. Gelatin silver prints, paper, and ink on board, 19 5/8 × 59" (49.8 × 149.8 cm). The Museum of Modern Art, New York. Committee on Photography Fund, and The Modern Women’s Fund. © 2025 Marianne Wex
At a glance
60–90 minutes

From Marianne Wex’s radical feminist archive to seven contemporary voices, photography becomes a way of reclaiming the space our bodies occupy — and the stories they are allowed to tell.

Key Movements
Contemporary ArtFeminist Art
Medium
CollagePhotography
Why go
This MoMA exhibition brings Marianne Wex’s groundbreaking 1977 feminist project into dialogue with seven contemporary artists, revealing how gender, race, sexuality and identity shape the way bodies move through and are represented in public space.
You'll see
Photography · Feminist art · Appropriation and collage · Body language · Self-representation · Public space · Gender and identity
Pace of visit
The exhibition is visually accessible but conceptually rich. Wex’s extensive photographic taxonomy rewards time, particularly if you want to compare her 1970s perspective with the contemporary artists.
Don't miss
Marianne Wex’s Let’s Take Back Our Space: “Female” and “Male” Body Language as a Result of Patriarchal Structures (1977) — the exhibition’s conceptual anchor and a remarkable visual study of how bodies are conditioned to occupy space.
Artlovers Tip

Look at Wex’s work almost like a visual experiment. She categorised thousands of photographs according to gestures and body positions; then compare those patterns with how the contemporary artists construct — or reclaim — their own presence.

Inside the exhibition

Taking Back Our Space: Photographic Perspectives is on view at The Museum of Modern Art (MoMA) in New York, from 20 September 2026 to 2 May 2027, in the Paul J. Sachs Galleries on Floor 2. It brings together eight artists whose photographic practices examine the relationship between bodies and space through intersectional feminist perspectives.

At its centre is German artist Marianne Wex (1937–2020). Beginning in 1972, Wex photographed people in Hamburg, observing how men and women were socialised to occupy space differently. She then combined her own photographs with images appropriated from advertising, newspapers, magazines, film, television and art publications, arranging them into categories such as standing arms, sitting legs and possessive holds.

MoMA acquired Wex’s project in its entirety in 2018. The exhibition places this pioneering visual sociology alongside works by Nona Faustine, Martine Gutierrez, K8 Hardy, Yuki Kihara, Joiri Minaya, Paulina Olowska and Wendy Red Star. Their practices revisit the politics of bodies and public space through Black, queer, decolonial and contemporary feminist perspectives.

The result is particularly interesting because the meaning of “taking back our space” expands beyond physical territory. It becomes a question of who gets to be visible, who controls their own representation and whose body or history has traditionally been excluded from the picture.

Worth travelling for?

A smart, highly relevant MoMA exhibition. Marianne Wex’s extraordinary 1970s archive makes the show historically important, while the seven contemporary artists demonstrate how questions of space, identity and representation have evolved — and become even more complex — today.

Exhibition

Taking Back Our Space: Photographic Perspectives

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New York, United States

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