No Plan at All: Prints from BORCH Editions at David Zwirner in London, UK, examines the legacy of the Copenhagen-based intaglio studio. The exhibition presents a survey of works created under the direction of Niels Borch Jensen, who established the workshop in 1979. It brings together historic and contemporary editions that highlight how traditional printing techniques have been adapted for the modern era.

Visitors will encounter prints by a diverse group of international artists, including Mamma Andersson, Georg Baselitz, Huma Bhabha, and Martin Kippenberger. The selection showcases the range of the studio's output, from intimate experiments to monumental etchings that challenge the physical limitations of the medium. These works reflect a collaborative process where the technical expertise of the printer meets the specific aesthetic demands of painters and sculptors.

The presentation situates BORCH Editions within the wider history of the postwar printmaking revival. By looking back at its 1970s origins and its influence from American workshops like Crown Point Press, the exhibition demonstrates how the Copenhagen studio became a focal point for European print production. It offers a clear perspective on the evolution of the intaglio process and its enduring relevance in contemporary art practice.

A rewarding stop for those interested in the craft of printmaking and how major contemporary artists translate their visual language into ink and copper.

Move slowly through the galleries to compare the different etching styles; the proximity allows for a close examination of the varied plate-marking and ink density across different decades.