Image creditElisabeth von Samsonow, Mirror Horses 1 and 2, 2023, Photo © Max Brucker Heidi Horten Collection, Vienna

At a glance

60–90 minutes

Earth, bodies and myth collide in a major survey where sculpture becomes philosophy — and nature becomes a carrier of memory.

Why go

This is the first exhibition to present Elisabeth von Samsonow’s work on this scale, bringing together early and recent pieces across sculpture, painting, drawing, film and a site-specific installation. It is a rare chance to see the full breadth of an artist whose practice deliberately moves between art, philosophy, anthropology and political thought.

You'll see

Large wooden sculptures · Painting · Drawing · Film · Site-specific installation · Gaia mythology · Archetypal imagery · Egon Schiele and German Expressionist dialogues · Works spanning several decades

Pace of visit

Medium-high density. The exhibition is structured as a narrative journey through multiple media and periods rather than a compact single-room presentation.

Don't miss

The monumental wooden sculptures made from entire tree trunks, including works carved from a thousand-year-old linden tree. Also look for Mirror Horses 1 and 2 (2023), Geopsyche: Better Energy or the Return of the Swallows (2022) and the new Die große Seeadlerin Titania (2026).

Artlovers Tip

Start with the material before the mythology. Look at the age, weight and physical history of the wood before trying to decode Gaia, archetypes or philosophical references.

Then seek out the works by Schiele and the German Expressionists inserted into the exhibition. They provide one of the smartest ways into Samsonow: suddenly her strange bodies and psychological landscapes have an art-historical family around them.

This is a strong Artlovers discovery exhibition: important, ambitious and intellectually rich, but still far outside the usual blockbuster circuit.

Artlovers relevance

Inside the exhibition

Meet the artist

Elisabeth von Samsonow

Key Movements

Conceptual ArtContemporary ArtFeminist Art

Medium

InstallationPerformance ArtSculpture

Description

The exhibition places the earth itself at the centre of Samsonow’s practice: not simply as landscape, but as a bearer of history, energy, life and collective memory. Sculptures, image cycles and installations draw on the myth of Gaia while returning to fundamental questions around origin, birth, the body, value and transformation. Natural materials retain their own sense of time — especially the massive carved trunks — while diagrams, dream fragments and archetypal forms push the work toward something simultaneously physical and psychological.

The presentation also makes an unusual connection with the Heidi Horten Collection itself. Works by Egon Schiele and German Expressionist artists are incorporated into the exhibition in response to Samsonow’s long-standing academic and artistic engagement with these figures. The result is not simply a retrospective but a dialogue between her contemporary practice and older ideas of the body, psyche and nature.

Elisabeth von Samsonow (b. 1956) is an Austrian-German artist, philosopher and professor whose practice spans sculpture, painting, performance, film and theoretical writing. Her work is known for deliberately dissolving disciplinary borders and for its engagement with feminist philosophy, ecology, mythology, psychoanalysis and the relationship between humanity and the Earth.

Exhibition

Elisabeth von Samsonow

Vienna, Austria

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