A reclining nude of painter Celia Paul, Freud's student and lover, with a halved boiled egg beside her. The egg recalls the strange juxtapositions of Freud's early Surrealist-influenced work, yet the treatment is resolutely grounded in his mature unflinching realism.

Freud's thickly applied paint renders every nuance of skin tone and shadow with clinical precision that refuses to idealize the body. The painting is not erotic but presents the form with dispassionate scrutiny.

In the British Council Collection in London. Included in numerous international touring exhibitions.