Fondazione Palazzo Strozzi is proud to present a major new exhibition dedicated to Mark Rothko, one of the most beloved figures in modern art. Curated by Christopher Rothko and Elena Geuna, "Rothko in Florence" is a special project designed specifically for our gallery to celebrate the artist’s unique bond with the city. Against the beautiful backdrop of the palazzo, you’ll discover how Rothko used color to create a sense of space that goes far beyond the canvas, finding a perfect balance between classical order and pure emotion.

The exhibition takes you through Rothko’s entire career, featuring over 70 works on loan from world-renowned institutions like MoMA and The Met in New York, the Tate in London, the Centre Pompidou in Paris, and the National Gallery of Art in Washington D.C.

You’re watching:

• Early works that show Rothko before the floating color fields
• Paintings where figures and myths slowly dissolve into abstraction
• Monumental canvases where color becomes atmosphere, silence and emotion
• Works connected to his mature language of large, luminous rectangular forms
• A dialogue with Florentine spaces that influenced his thinking about art, architecture and contemplation
• Satellite sections at Museo di San Marco and the Biblioteca Medicea Laurenziana, connecting Rothko with Fra Angelico’s meditative frescoes and Michelangelo’s architectural environment.

The result is powerful because Rothko’s paintings don’t simply “hang” in Florence. They seem to listen to it.

Yes — absolutely. This is one of the strongest Artlovers reasons to travel to Florence in 2026.

Rothko believed painting could create an almost sacred encounter between artwork and viewer. In Florence, that idea becomes even more intense: his color fields enter into conversation with Renaissance frescoes, monastic cells, architectural silence and the city’s long history of spiritual image-making.

It matters because the exhibition is conceived specifically for Palazzo Strozzi and celebrates Rothko’s special connection with Florence. It also brings major loans from leading international collections, including institutions such as MoMA, the Metropolitan Museum of Art, Tate, Centre Pompidou and the National Gallery of Art in Washington.

Seeing Rothko is already a physical experience. Seeing Rothko in Florence — surrounded by the memory of Renaissance space, light and devotion — makes it feel almost necessary.

Don’t rush from painting to painting. Rothko needs time.

Stand at a distance first, then let the color slowly come toward you.

Visit the satellite sections if possible: San Marco and the Laurenziana change how you understand the show.

Think less about “what it represents” and more about what it does to your body, your attention and your mood.

Pair it with Fra Angelico at San Marco: the connection between silence, color and contemplation becomes unforgettable.