Image credit© Léonard Pongo

At a glance

Around 1 hour

What if the landscape could speak? Léonard Pongo uses photography, video and textiles to turn the Congolese earth into something seen, sensed and almost heard.

Why go

For a contemporary photographic installation that goes beyond documentary image-making. Pongo has spent nearly a decade travelling through the Democratic Republic of Congo, combining local knowledge, symbolism and modified camera technology to explore the relationship between land, perception and memory. For FOMU he has created a spatial installation combining photography, video and textiles.

You'll see

Full-spectrum photography · Video · Textiles · Congolese landscapes · Banana trees · Infrared and invisible wavelengths · Environmental imagery · Spatial installation

Pace of visit

Medium density, but immersive rather than object-heavy. Allow enough time for the moving-image components and for the installation to work spatially.

Don't miss

The photographs made with modified full-spectrum cameras, which capture wavelengths invisible to the human eye. They produce colours that can feel unfamiliar or uncanny and become a perfect visual metaphor for the exhibition’s central idea: we never see the whole world, only the part our senses allow us to perceive.

Artlovers Tip

Don’t search for people in the photographs. Search for their presence in the landscape. The absence of figures is deliberate: Pongo shifts attention toward the knowledge, histories and relationships embedded in the land itself.

Paired with Graciela Iturbide: Eyes to Fly With at FOMU, it makes Antwerp especially strong for photography in autumn 2026.

Artlovers relevance

Inside the exhibition

Meet the artist

Léonard Pongo

Key Movements

Contemporary Art

Medium

Photography

Description

Dialogue with the Source grows from almost ten years of travel and research in the Democratic Republic of Congo. Pongo is not trying simply to map or document the country. Instead, he asks how a landscape can be experienced through stories, inherited knowledge, symbolism, technology and physical sensation. Photography, video and textile are brought together so that the exhibition feels less like a series of images and more like an environment.

Human figures are notably absent from the photographs, but people remain central to the project. During his journeys, Pongo worked with researchers and local communities, allowing their knowledge and stories to shape the work. This keeps the landscape from becoming an empty aesthetic spectacle: land is understood as something inhabited, remembered and culturally meaningful.

Léonard Pongo (b. 1988) is a Belgian-Congolese artist whose practice combines photography, film and installation. His work draws strongly on Congolese traditions, philosophy and symbolism, while also experimenting with photographic technologies that extend what the human eye can perceive. His work has previously appeared at Tate Modern and Jeu de Paume, and he participated in FOMU’s .tiff emerging-talent programme in 2019.

Exhibition

Léonard Pongo: Dialogue with the Source

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