
Overpainted Photographs
Gerhard Richter blurs the boundary between memory and abstraction by layering thick oil paint over intimate, personal snapshots.
Gerhard Richter paints doubt. Photographs become blurred memories, colours become systems, and abstraction becomes a way to look at history without pretending to fully understand it.

Gerhard Richter working in his studio. © artlovers at Fondation Louis Vuitton
Contemporary art · Photorealism · Abstract painting · Conceptual art · Capitalist Realism
Richter is difficult to place in one movement because that is exactly the point: his work moves between photography and painting, realism and abstraction, control and accident.
Gerhard Richter is widely considered to be one of the most important living painters of the late 20th and early 21st centuries.
Born in Dresden, he trained in East Germany before moving to West Germany in 1961, a shift that profoundly marked his artistic perspective. Richter is known for moving fluently between photorealistic paintings and large-scale abstract works, refusing to commit to a single style.
His blurred "photo-paintings" recreate photographs in oil, questioning memory, truth, and representation.
In contrast, his abstract works—often created with a large squeegee—layer vibrant colors onto complex and textured surfaces.
Throughout his career, Richter has explored themes such as history, trauma, chance, and perception, including impactful works that address Germany's past.
He has also produced minimalist "Color Chart" paintings and serene landscapes, demonstrating extraordinary versatility.
Richter's work constantly challenges the idea that painting must follow a single direction, making him a central figure in the current debate regarding the relevance of painting in contemporary art.
Richter has been called the "best living painter," "the most important artist in the world," and the "Picasso of the 21st century."
Richter's large abstract paintings—especially those from the 1980s and 1990s—have regularly reached eight-figure prices at auction. In 2015, his work Abstraktes Bild (1986) sold at Sotheby’s London for approximately $46.3 million, setting a record at that time for a living European artist.
Richter feels more relevant than ever because we live surrounded by images — photographs, screens, archives, news, memory, propaganda, AI. His work asks a very contemporary question: what can we still believe when we look at an image?Richter is one of the essential artists to experience in person. His paintings change completely when you stand before them: the blur becomes physical, the abstract surfaces reveal layers, and the colours have a presence that no screen can reproduce.His major retrospective at Fondation Louis Vuitton in Paris, covering works from 1962 to 2024, confirmed how central he remains to contemporary art.
Start by asking: is this image clear, or is it escaping me? That is where Richter begins. With the photo-paintings, stand back first, then move closer. Notice how the image dissolves. With the abstract works, do the opposite: go close to see the layers, scratches, and traces of the squeegee, then step back and let the whole painting hit you. Do not try to “solve” a Richter. Let it stay uncertain. His work is powerful because it does not give you one answer — it makes you feel the tension between beauty, history, memory, and doubt.