At a glance
Rina Banerjee reinterprets the Taj Mahal through a translucent, lightweight sculpture that challenges ideas of permanence, materials, and national identity at the Yale Center for British Art.
Why go
You'll see
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Don't miss
Artlovers Tip
Look closely at the specific materials Banerjee uses; the choice of non-traditional textures is essential to her critique of the Taj Mahal's perceived permanence and cost.
Inside the exhibition
Meet the artist
Description
Rina Banerjee: Take me, take me, take me . . . to the Palace of love at the Yale Center for British Art in New Haven, United States, centers on a significant sculptural reinterpretation of the Taj Mahal. Banerjee uses translucent materials to recreate the iconic silhouette of the Indian monument, stripping away the permanence and heavy marble associated with the original structure.
The exhibition focuses on the fluidity of history and location. By using lightweight and unexpected materials, the artist subverts traditional assumptions about architectural monuments and their fixed place in cultural memory. The work acts as a portable, ethereal version of a site usually defined by its monumental scale and costly facades.
This installation highlights Banerjee's interest in how objects migrate and change meaning across borders. Seeing this delicate structure within the context of a British art institution adds a layer of dialogue regarding colonial history and the way global landmarks are perceived and represented in different cultural settings.
Worth travelling for?
A sharp, thought-provoking installation for visitors interested in how contemporary artists tackle global icons and the reinterpretation of historic architecture through modern materials.
Experience as an Artlover
Walk around the central sculpture slowly to observe how the light changes its appearance and reveals different textures within the translucent frame.
Rina Banerjee: Take me, take me, take me . . . to the Palace of love
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