This exhibition traces the artistic journey of Jannis Psychopedis from 1962 to the present day through around 70 works selected from the artist’s own private collection — works he deliberately chose to keep in his studio over the decades.

That detail changes the whole experience. This is not just a museum retrospective. It feels closer to entering the artist’s inner archive: the pieces that stayed with him, the images that still carried emotional or intellectual weight, the works that were not simply part of a career but part of a life.

The exhibition unfolds through 20 sections, following more than six decades of work shaped by politics, personal memory, historical events and artistic experimentation. Psychopedis emerged in the 1960s, connected to Art Group A, the New Greek Realists, and the Centre for Visual Arts, at a moment when Greek art was moving toward neo-figuration, critical realism and new forms of visual questioning.

The Ones I Kept is a rare kind of retrospective: not only what the art world selected, but what the artist himself preserved.

Psychopedis’s work carries the tensions of postwar Greece, political unrest, European modernity, identity, memory and the fragility of public and private history. Across paintings, drawings and mixed-media works, the exhibition becomes a map of how one artist processed the world around him — not from distance, but through images that stayed close.

Visit time / Density: Medium-to-dense exhibition. With around 70 works across 20 sections, allow at least 60–75 minutes. If you want to follow the political and biographical layers properly, give it 90 minutes.

Visit it as a conversation with an artist looking back.

Don’t rush from decade to decade. Ask yourself why these were the works he kept. What memory does each one hold? What political or personal moment might be hidden behind the image?

The strongest part is the intimacy: you are not only seeing an artistic career, but the private landscape of what an artist chose not to release.