Medieval Art
Art as faith, symbol, and spiritual storytelling.
Artistas clave
- Giotto
- Cimabue
- Duccio
- Hildegard of Bingen
Artlovers Stories · Movimientos del Arte
Primitivos flamencos
1430–1530
Pintura realizada en los Países Bajos borgoñones durante los siglos XV y comienzos del XVI, caracterizada por el realismo del óleo sobre tabla, el detalle minucioso y los temas devocionales o de vanitas — Jan van Eyck, Rogier van der Weyden, Hans Memling y Hieronymus Bosch entre sus principales figuras.
Cada época pinta el mundo a su manera. Recorre los movimientos que cambiaron la forma de mirar el arte — y descubre dónde ver hoy las obras que los definieron.
Línea de tiempo
De Bizancio al ahora: un recorrido visual.
Desliza horizontalmente para recorrer 15 siglos de arte.
En vertical
Cronología completa: principales y secundarios.
Los movimientos principales destacan; los secundarios fluyen alrededor.
- Secundarioc. 500–1400
Medieval Art
Art as faith, symbol, and spiritual storytelling.
- Giotto
- Cimabue
- Duccio
- Hildegard of Bingen
- Secundarioc. 500–1450
Byzantine Art
Golden icons and sacred images made to feel eternal.
- Andrei Rublev
- Theophanes the Greek
- Cimabue
- Secundarioc. 1000–1200
Romanesque
Powerful church art: solid, symbolic, and deeply religious.
- Gislebertus
- Master of Taüll
- Principalc. 1150–1500
Gothic
Art reaching upward — light, height, emotion, and divine drama.
- Giotto
- Simone Martini
- Jan van Eyck
- Claus Sluter
- Principalc. 1400–1490
Early Renaissance
The rebirth of perspective, nature, and the human figure.
- Masaccio
- Donatello
- Fra Angelico
- Botticelli
- Piero della Francesca
- Principalc. 1490–1527
High Renaissance
The pursuit of perfect beauty, balance, and genius.
- Leonardo da Vinci
- Michelangelo
- Raphael
- Titian
- Bramante
- Secundarioc. 1520–1600
Mannerism
Elegant, strange, and exaggerated — Renaissance rules start to bend.
- Pontormo
- Parmigianino
- Bronzino
- El Greco
- Cellini
- Principalc. 1600–1750
Baroque
Drama, movement, light, and emotion turned up to full volume.
- Caravaggio
- Rubens
- Rembrandt
- Velázquez
- Bernini
- Secundarioc. 1700–1780
Rococo
Playful, decorative, intimate — art for pleasure and elegance.
- Fragonard
- Boucher
- Watteau
- Tiepolo
- Élisabeth Vigée Le Brun
- Principalc. 1750–1830
Neoclassicism
Ancient Greece and Rome reborn as order, reason, and heroic ideals.
- Jacques-Louis David
- Ingres
- Canova
- Angelica Kauffman
- Principalc. 1780–1850
Romanticism
Emotion over reason: nature, passion, freedom, and the sublime.
- Goya
- Delacroix
- Turner
- Caspar David Friedrich
- Théodore Géricault
- Principalc. 1840–1880
Realism
Art turns toward real life, ordinary people, and social truth.
- Courbet
- Millet
- Daumier
- Rosa Bonheur
- Ilya Repin
- Principalc. 1860–1886
Impressionism
Painting the fleeting moment — light, atmosphere, and modern life.
- Monet
- Renoir
- Degas
- Morisot
- Pissarro
- Principalc. 1886–1905
Post-Impressionism
Beyond the impression: emotion, structure, color, and personal vision.
- Van Gogh
- Cézanne
- Gauguin
- Seurat
- Toulouse-Lautrec
- Secundarioc. 1880–1910
Symbolism
Dreams, myths, and inner worlds take over the canvas.
- Odilon Redon
- Gustave Moreau
- Klimt
- Fernand Khnopff
- Munch
- Secundarioc. 1890–1910
Art Nouveau
Nature becomes design: flowing lines, beauty, and total decoration.
- Alphonse Mucha
- Klimt
- Gaudí
- Hector Guimard
- Aubrey Beardsley
- Secundarioc. 1905–1910
Fauvism
Color breaks free — wild, emotional, and unapologetically bright.
- Matisse
- Derain
- Vlaminck
- Dufy
- Kees van Dongen
- Principalc. 1905–1930
Expressionism
Art as inner emotion: anxiety, intensity, and raw feeling.
- Munch
- Kirchner
- Kandinsky
- Schiele
- Kokoschka
- Principalc. 1907–1920
Cubism
Reality shattered and rebuilt from multiple points of view.
- Picasso
- Braque
- Juan Gris
- Léger
- Sonia Delaunay
- Secundarioc. 1909–1944
Futurism
Speed, machines, energy, and the shock of the modern world.
- Boccioni
- Balla
- Severini
- Carrà
- Marinetti
- Secundarioc. 1916–1924
Dada
Anti-art for a broken world — absurd, rebellious, and radical.
- Duchamp
- Hannah Höch
- Tristan Tzara
- Man Ray
- Jean Arp
- Secundarioc. 1917–1931
De Stijl
Pure abstraction: lines, grids, primary colors, and universal harmony.
- Mondrian
- Theo van Doesburg
- Gerrit Rietveld
- Bart van der Leck
- Secundario1919–1933
Bauhaus
Art meets design, architecture, function, and modern life.
- Walter Gropius
- Paul Klee
- Kandinsky
- Josef Albers
- László Moholy-Nagy
- Principalc. 1924–1960s
Surrealism
Dreams, desire, and the unconscious made visible.
- Dalí
- Magritte
- Miró
- Leonora Carrington
- Max Ernst
- Secundarioc. 1910–present
Abstract Art
Art without direct representation — form, color, and feeling lead.
- Kandinsky
- Hilma af Klint
- Mondrian
- Malevich
- Rothko
- Secundarioc. 1920s–1950s
Social Realism
Art as political witness: workers, injustice, and collective struggle.
- Diego Rivera
- Ben Shahn
- Käthe Kollwitz
- Jacob Lawrence
- David Alfaro Siqueiros
- Principalc. 1940s–1960s
Abstract Expressionism
Gesture, scale, and emotion — painting as an act of freedom.
- Jackson Pollock
- Mark Rothko
- Willem de Kooning
- Lee Krasner
- Helen Frankenthaler
- Principalc. 1950s–1970s
Pop Art
Mass culture becomes art: advertising, comics, celebrities, and brands.
- Andy Warhol
- Roy Lichtenstein
- Richard Hamilton
- Claes Oldenburg
- Yayoi Kusama
- Secundarioc. 1960s–1970s
Fluxus
Art becomes an event — playful, experimental, anti-market, and radically open.
- George Maciunas
- Yoko Ono
- Nam June Paik
- Alison Knowles
- Joseph Beuys
- Principalc. 1960s–1970s
Minimalism
Less is everything — simple forms, space, repetition, and presence.
- Donald Judd
- Dan Flavin
- Agnes Martin
- Carl Andre
- Sol LeWitt
- Principalc. 1960s–present
Conceptual Art
The idea becomes the artwork.
- Joseph Kosuth
- Sol LeWitt
- Lawrence Weiner
- Jenny Holzer
- On Kawara
- Secundarioc. 1960s–1970s
Land Art
Nature becomes the canvas — art moves outside the museum.
- Robert Smithson
- Nancy Holt
- Michael Heizer
- Walter De Maria
- Richard Long
- Secundarioc. 1960s–present
Performance Art
The artist's body, action, and time become the work.
- Marina Abramović
- Joseph Beuys
- Yoko Ono
- Chris Burden
- Tehching Hsieh
- Secundarioc. 1960s–1980s
Body Art
The body becomes the canvas, the medium, and the battlefield.
- Marina Abramović
- Gina Pane
- Vito Acconci
- Ana Mendieta
- Carolee Schneemann
- Secundarioc. 1967–1972
Arte Povera
"Poor" materials, radical ideas — art against consumer culture.
- Michelangelo Pistoletto
- Jannis Kounellis
- Mario Merz
- Alighiero Boetti
- Marisa Merz
- Secundarioc. 1960s–1970s
Photorealism
Painting imitates the camera with obsessive precision.
- Chuck Close
- Richard Estes
- Audrey Flack
- Ralph Goings
- Duane Hanson
- Secundarioc. 1970s–1990s
Postmodernism
Art questions everything: originality, authorship, taste, and power.
- Cindy Sherman
- Barbara Kruger
- Jeff Koons
- Sherrie Levine
- Jenny Holzer